10 hidden treasures from UC special collections

Tucked away in quiet reading rooms and climate-controlled stacks across the libraries of the University of California are collections that rival the greatest museums in the world.  

Danz Collection of ocular pathology specimens 

Nestled in a drawer at UC San Francisco’s Kalmanovitz Library is a collection that will stop you in your tracks: dozens of delicate, handblown glass eyeballs, each eerily lifelike and meticulously detailed. Crafted in 1880s Germany by master glassblower Amandus Müller, the set is one of 13 believed to have been made as teaching tools for medical schools. Each orb depicts a disease of the eye, capturing everything from minor retinal damage to severe pathology in shimmering, uncanny form — miniature masterpieces that blend science and art in equal measure. 
 


The book "Shakespeare's First Folio" open to a page with an illustrated portrait of the author
Shakespeare’s First Folio, 1623. UC Irvine Special Collections & Archives 

Shakespeare’s First Folio 

Few books have shaped the course of literature like Shakespeare’s First Folio. Published in 1623 by two of Shakespeare’s fellow actors, seven years after the Bard’s death, the First Folio was the earliest collected edition of his plays. Without it, works like “Macbeth” and “The Tempest” might have been lost entirely. In fact, 18 of the book’s 36 plays had never before appeared in print. The book is one of only 235 surviving copies from an original run of about 750. (For Northern California fans of the Elizabethan era, a second copy is housed at UC Berkeley.) 
 


Two comic book covers
Left: “Fantastic Four” No. 52, 1966. Right: “Black Panther” No. 1,1977. UC Riverside Special Collections & University Archives, Eaton Collection of Science Fiction & Fantasy

‘Black Panther’ comic books 

At UC Riverside’s Eaton Collection of Science Fiction & Fantasy, early “Black Panther” comics mark a pivotal shift in pop culture. Issues like “Fantastic Four” No. 52 (1966), which introduced T’Challa, and “Black Panther” No. 1 (1977) trace the rise of one of the first Black superheroes in mainstream American comics. Rooted in Afrofuturism, the stories blend science fiction with bold ideas about identity, power and representation. 
 


An illustrated spread showing people on horseback driving a herd of horses, from the Koba-Russel sketchbook
Koba, Driving the Horses, from the Koba-Russel Sketchbook, 1876. UC San Diego Special Collections and Archives 

Koba-Russel sketchbook 

The Koba-Russel Sketchbook offers a window onto Native American history in the striking form of Plains Indian ledger drawings. Created by Koba, a Kiowa artist imprisoned at Fort Marion in St. Augustine, Florida, from 1875 to 1878, the drawings transform ledger pages once used for accounting into vivid records of tribal life, memory and identity. Koba documents cultural traditions and lived experiences at a time of profound upheaval. Preserved as part of a broader collection of 19th-century ledger drawings, the sketchbook stands as a deeply human testament to resilience and cultural continuity. The ledger is housed at UC San Diego under a co-custodial agreement with the Kiowa Tribe. 
 


Three costume sketches, one depicting a human figure with a bird head, one a queen in ceremonial robes, and one a person in a space suit
Dunya Ramicova, Costume designs for “The Voyage” (1992): Left to right: Female “Native”, Queen Isabella, and Space Twins; Graphite pencil, watercolor, and metallic watercolor on watercolor paper. UC Merced Archives and Special Collections